A three-quarter-length portrait of William Cavendish-Bentinck, 3rd Duke of Portland, turned to the left, gazing to the left, seated in a red upholstered armchair, holding some papers with his left hand and his cheek leaning on his right hand. Dressed in dark crimson velvet coat and knee-breeches, with white stockings, Short powdered wig, tied at the back with a black ribbon. Architectural background with pillard portico on the left, with view of trees and sky. On the
table are books, and two bronze statuettes, one representing either Samson or Hercules holding the jawbone of an ass, the other possibly a boxer.
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions
1422 x 1092 mm (56 x 43 in)
Collection
Dunham Massey, Cheshire, North West
Accession number
NT 932291
Object history
Bequeathed to the National Trust with the house, estate and all the contents of Dunham Massey by Roger Grey, 10th Earl of Stamford (1896 - 1976)
Credit line
Dunham Massey, The Stamford Collection (National Trust)
Notes
The original is at Welbeck Abbey, in the Cavendish Bentinck collection. John Powell was recorded as Reynolds’s assistant in 1778, and was known to have also copied Reynolds’s pictures in small. The painting is identified in an inventory of 1787 as a copy painted in 1782.
William Henry Cavendish Bentinck, 3rd Duke of Portland, K.G., born 1738, succeeded to Dukedom 1762. Viceroy of Ireland in 1782, Prime Minister under
George 3rd, 1783–1807. Married 1766, Dorothy, only Daughter of William, 4th Duke of Devonshire, who died in 1794. He died 30 October, 1809.
References
Catalogue of the pictures belonging to His Grace the Duke of Portland, at Welbeck Abbey, and in London by Charles Fairfax Murray (1849–1919), published 1894
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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The photograph of this artwork was taken in the United Kingdom. The National Trust, which created the photograph, believes that the photograph is considered to be in copyright in the United Kingdom, and respectfully asks that they be given credit for the photograph when used.
Engraved in mezzotint by John Murphy, also after Reynolds, published 1785.
Licensing
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domainPublic domainfalsefalse
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.
You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain". This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
Captions
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{{Artwork |artist = John Powell (''fl''.1769–1785), after Joshua Reynolds (1723–1792) |description = A three-quarter-length portrait of William Cavendish-Bentinck, 3rd Duke of Portland, turned to the left, gazing to the left, s...