File:3rd Duke of Portland crop.jpg

3rd_Duke_of_Portland_crop.jpg (237 × 310 pixels, file size: 21 KB, MIME type: image/jpeg)

Summary

Artist
John Powell (fl.1769–1785), after Joshua Reynolds (1723–1792)
Object type painting
object_type QS:P31,Q3305213
Description

A three-quarter-length portrait of William Cavendish-Bentinck, 3rd Duke of Portland, turned to the left, gazing to the left, seated in a red upholstered armchair, holding some papers with his left hand and his cheek leaning on his right hand. Dressed in dark crimson velvet coat and knee-breeches, with white stockings, Short powdered wig, tied at the back with a black ribbon. Architectural background with pillard portico on the left, with view of trees and sky. On the

table are books, and two bronze statuettes, one representing either Samson or Hercules holding the jawbone of an ass, the other possibly a boxer.
Date 1782
date QS:P571,+1782-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions 1422 x 1092 mm (56 x 43 in)
Dunham Massey, Cheshire, North West
Accession number
NT 932291
Object history Bequeathed to the National Trust with the house, estate and all the contents of Dunham Massey by Roger Grey, 10th Earl of Stamford (1896 - 1976)
Credit line Dunham Massey, The Stamford Collection (National Trust)
Notes

The original is at Welbeck Abbey, in the Cavendish Bentinck collection. John Powell was recorded as Reynolds’s assistant in 1778, and was known to have also copied Reynolds’s pictures in small. The painting is identified in an inventory of 1787 as a copy painted in 1782.

William Henry Cavendish Bentinck, 3rd Duke of Portland, K.G., born 1738, succeeded to Dukedom 1762. Viceroy of Ireland in 1782, Prime Minister under

George 3rd, 1783–1807. Married 1766, Dorothy, only Daughter of William, 4th Duke of Devonshire, who died in 1794. He died 30 October, 1809.
References Catalogue of the pictures belonging to His Grace the Duke of Portland, at Welbeck Abbey, and in London by Charles Fairfax Murray (1849–1919), published 1894
Source/Photographer BBC Paintings and National Trust
Permission
(Reusing this file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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Disputed Copyright/PD-Art Reuse Possible Restriction Notice Disputed Copyright/PD-Art Reuse Possible Restriction Notice

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The photograph of this artwork was taken in the United Kingdom. The National Trust, which created the photograph, believes that the photograph is considered to be in copyright in the United Kingdom, and respectfully asks that they be given credit for the photograph when used.

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Other versions Engraved in mezzotint by John Murphy, also after Reynolds, published 1785.

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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current01:07, 5 July 2016Thumbnail for version as of 01:07, 5 July 2016237 × 310 (21 KB)LookLook36{{Artwork |artist = John Powell (''fl''.1769–1785), after Joshua Reynolds (1723–1792) |description = A three-quarter-length portrait of William Cavendish-Bentinck, 3rd Duke of Portland, turned to the left, gazing to the left, s...

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