The Mays: Difference between revisions

Content deleted Content added
m Disambiguating links to Chris Reid (disambiguation) (link changed to Christopher Reid (writer)) using DisamAssist.
m link to wiki bio
 
(15 intermediate revisions by 4 users not shown)
Line 1:
{{Short description|Annual anthology}}
{{italic title}}
{{RefimproveMore citations needed|date=June 2010}}
{{Use dmy dates|date=February 2021}}
'''''The Mays Literary Anthology''''' (or just '''''The Mays''''') is an annual anthology of new writing by students from the [[University of Oxford]] and the [[University of Cambridge]].<ref>{{Cite web|url=https://theoxfordculturereview.com/2016/07/17/review-the-mays-24/|title=Review: ‘The'The Mays 24’24'|date=July 17, 2016|first=William |last=Shaw|work=The Oxford Culture Review}}</ref>
 
==History==
Anthologies of poetry by undergraduates from the [[University of Oxford]] and the [[University of Cambridge]] were first published in 1913, with ''Cambridge Poets: 1910–1913'' and ''Oxford Poetry: 1910–1913'' being produced respectively by [[Arthur Quiller-Couch]] and [[Gilbert Murray]].<ref>{{cite web|url=https://www.varsity.co.uk/culture/5627|title=A Brief History of The Mays|first=Arabella|last=Milbank|work=Varsity|date=15 February 2013|access-date=6 October 2021}}</ref> Many years later in 1992, Peter Ho Davies, Adrian Woolfson, and Ron Dimant, who met while working together at the Cambridge University Student Newspaper, Varsity, independently established a totally new publication concept known as ''The MaysMay Anthology of Poetry'', whichand was''The May Anthology of Short Stories'', originally splitpublished intoas two separate anthologies: one devoted to prosepoetry and the other to poetryprose. InThe 2003idea came about when the three friends were standing outside Queens College one evening, and realized that they all aspired to publishing books. Once they had resolved to set up the anthologies, Adrian Woolfson pulled in Ian Critchley - who was at the time a student editor on the Oxford University Student Newspaper, Cherwell - as his Oxford co-editor. The nucleus of the Cambridge team, who led the project, was Woolfson's attic room at 5 Harvey Road, where the editorial team would meet weekly to review the submitted materials. In 2003 'Mays'The May Anthologies'' became a single publication.<ref name="About The Mays">{{cite web|title=About the Mays|website=The Mays XIX|url=http://themaysxix.tumblr.com/about|archive-url=https://web.archive.org/web/20110830224605/http://themaysxix.tumblr.com/about|url-status=dead|archive-date=30 August 2011|access-date=7 June 2011}}</ref>
 
Each year, the ''Mays'' receives hundreds of submissions from students at Oxford and Cambridge.{{Citation needed|date=June 2010}} The Editorial Committee (composed of students from both universities) review the submissions.
 
[[File:Zadie Smith NBCC 2011 Shankbone.jpg|thumb|180px|[[Zadie Smith ]]]]
''The Mays'' is often noted for launching the career of novelist [[Zadie Smith]].<ref>Ryan, Alice, [https://www.velvetmag.co.uk/whats-on/books-collated-in-lockdown-the-mays-28-is-a-gem-9114108/ "Books: Collated in lockdown, The Mays 28 is a gem,"] ''Velvet'', 4 July 2020.</ref><ref>[[Aida Edemariam|Edemariam Aida]], [http://books.guardian.co.uk/review/story/0,12084,1560999,00.html "Learning Curve,"] ''The Guardian'', 3 September 2005.</ref> Her work appears in two of the short story editions (1996 and 1997). Literary agencies first took notice of Smith after seeing her story "Mrs. Begum’sBegum's Son and the Private Tutor" in the 1997 collection. Smith guest edited the ''Mays'' in 2001. Her quip "maybe in a few years this lot will have me out of a job" has become a catch phrase for the publication.<ref>{{Cite web|url=https://www.varsity.co.uk/arts/18551|title=The Mays 2020 : More revolutionary than ever|first=Caterina|last= Bragoli|website=Varsity Online|date=25 January 2020}}</ref>
 
''The Mays'' is broader in scope than most university literary projects: it is sold in bookstores and by delivery nationwide; it is distributed to every major literary agent; and each year a guest editor — usually a prominent author, poet, or artist — writes an introduction to the anthology.<ref name="About The Mays" /> Previous guest editors include: [[Margaret Drabble]] and [[Jon Stallworthy]] (1992), [[Michael Dibdin]] and [[Seamus Heaney]] (1993), [[Stephen Fry]] (1994), [[Ted Hughes]] (1995), [[Penelope Fitzgerald]] (1996), [[Christopher Reid (writer)|Christopher Reid]] and [[Jill Paton Walsh]] (1997), [[Sebastian Faulks]] and [[J.H. Prynne]] (1998), [[Penelope Lively]] and [[John Kinsella (poet)|John Kinsella]] (1999), [[Paul Muldoon]] and [[Lawrence Norfolk]] (2000), [[Zadie Smith]] and [[Michael Donaghy]] (2001), [[Andrew Motion]] and [[Nick Cave]] (2002), [[Ali Smith]] (2003), [[Philip Pullman]] (2004), [[Robert Macfarlane (writer)|Robert Macfarlane]] (2005), [[Don Paterson]] and [[Jeanette Winterson]] (2006), [[Colm Toibin]] (2007), [[Ian Patterson (poet)|Ian Patterson]] (2008), [[Patti Smith]] (2009), [[Amit Chaudhuri]], [[Tom Raworth]] (2010), {{Citation needed|date=June 2010}}, [[Jarvis Cocker]] (2011), [[John Darnielle]], [[Tao Lin]], [[Toby Litt]] (2012), [[Michael Frayn]], [[David Harsent]], [[Tom Phillips (artist)|Tom Phillips]] (2013), [[John Fuller (poet)|John Fuller]], [[Paul Farley]], [[Ben Okri]], [[Prajwal Parajuly]], [[Emma Chichester Clark]] and [[Alexander Gilkes]] (2014), [[Roger Mcgough]] and [[Rupi Kaur]] (2016).<ref>{{cite web|title=The Mays XIX |url=http://themaysxix.tumblr.com/post/5744413958/poetry-jarvis-cocker-is-a-musician-actor-radio |url-status=dead |archive-url=https://web.archive.org/web/20140413124923/http://themaysxix.tumblr.com/post/5744413958/poetry-jarvis-cocker-is-a-musician-actor-radio |archive-date=2014-04-13 }}</ref>
Line 33 ⟶ 34:
* Mark Richards and James Purdon (2004)
* Jonathan Beckman and Arthur House (2005)
* [[Torsten Bell|Torsten Henricson-Bell]], [[Juliet Lapidos]], Imogen Walford (2006)
* Catherine Duric, Iain Mobbs and Ryan Roark (2007)
* Erica Mena and Deborah Smith (2008)