File:XXII.jpg
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Captions
Captions
Summary
[edit]Theo van Doesburg: Composition XXII
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| Artist |
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| Title |
Composition XXII |
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| Object type |
painting  |
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| Genre |
abstract art |
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| Date | Between 1 June 1922 and 31 July 1922 | |||||||||||||||||||||||||||
| Medium | oil on canvas | |||||||||||||||||||||||||||
| Dimensions | height: 45.5 cm (17.9 in); width: 43.3 cm (17 in) | |||||||||||||||||||||||||||
| Collection |
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| Accession number |
94 |
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| Place of creation | Weimar | |||||||||||||||||||||||||||
| Object history |
1922: acquired by Thijs Rinsema (1877-1947), Drachten, from Theo van Doesburg (1883-1931), Meudon |
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| Exhibition history |
Theo van Doesburg (?), Stedelijk Museum, Amsterdam, 2 May 1936–31 May 1936, cat. no. 52, p. 102, as Compositie, 1920, Mr. Rinsema. Konstruktivisten, Kunsthalle, Basel, 16 January 1937–14 February 1937, Cat.no. 13, as Composition, 1920. Theo van Doesburg, Van Abbemuseum, Eindhoven, 13 December 1968–26 January 1969, Gemeentemuseum Den Haag, The Hague, 17 February 1969–23 March 1969, cat. no. A27, with image (A27) on p. 88, as 1920. Theo van Doesburg 1883-1931/Konstruktive Kunst, Kunsthalle Nürnberg, Nuremberg, 18 April 1969–1 June 1969, Kunsthalle Basel, Basel, 9 August 1969–7 September 1969, cat. no. A25, image A25 on p. XVI, as 1920. "Was die Schönheit sei, das weiss ich nicht". Künstler - Theorie - Werk. Katalog zur 2. Biennale Nürnberg 1971, Kunsthalle und Künstlerhaus, Nuremberg, 30 April 1971–1 August 1971, cat. no. 240. Zeitgenössische Kunst aus den Niederlanden. Aus der Sammlung des Van Abbemuseums Eindhoven, Kunsthalle Nürnberg am Marientor, Nuremberg, 10 April 1974–3 June 1974, cat. no. 17. Tendenzen der zwanziger Jahre, 14 August 1977–16 October 1977, Neue Nationalgalerie SMPK/Akademie der Künste/Grosse Orangerie des Schloss Charlottenburg, Berlin, Cat.no. 1/170. Origini dell'astrattismo verso altri orizzonti del reale (1885-1919), Palazzo Reale, Milan, 18 October 1979–18 January 1980, ill. 533. Van Gogh bis Cobra. Holländische Malerei 1880-1950, Württembergischer Kunstverein, Stuttgart, 23 November 1980–18 January 1981, Rheinisches Landesmuseum, Bonn, 29 April 1981–8 June 1981, without cat. no. , p. 269, with image on p. 168. De Stijl, 1917-1931, Visions of Utopia, Walker Art Center, Minneapolis, 31 January 1982 - 28 March 1982, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, 20 April 1982–27 June 1982, cat. no. 28, as 1920-1922. De Stijl, 1917-1931, Stedelijk Museum, Amsterdam, Kröller-Müller Museum, Otterlo, 6 August 1982–4 October 1982, Cat.no. 40, as 1920 or 1922. Van Abbemuseum besøker Høvikodden, Henie Onstad Kunstsenter, Høvikodden, 19 April 1986–19 May 1986, ill. on the cover. Rot Gelb Blau. Die Primärfarben in der Kunst des 20. Jahrhunderts, 19 March 1988–21 May 1988, Kunstmuseum, St. Gallen, 12 June 1988–18 September 1988, Museum Fridericianum, Kassel, p. 179. Dada and constructivism, Seibu Museum of Art, Tokyo, 8 October 1988–13 November 1988, Seibu Tsukaskin Hall, Amagasaki, 19 November 1988–19 December 1988, The Museum of Modern Art, Kamakura, 5 January 1989–12 February 1989, p. 77 (?), ill. III.2 (?). Dada y constructivismo, Museo Nacional Centro de Arte Reina Sofía, Madrid, 9 March 1989–1 May 1989, p. 77 (?), ill. III.2 (?). Joaquin Torres-Garcia en Theo van Doesburg, 31 May 1992–23 August 1992, Institute of Contemporary Art, Amsterdam, no catalogue. Konstruktivistische Internationale Schöpferische Arbeitsgemeinschaft, 1922-1927. Utopien für eine europäische Kultur, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 30 May 1992–23 August 1992, Staatliche Galerie Moritzburg, Halle, 13 September 1992–15 November 1992, ISBN 3775703764, p. 334, cat. no. 24, as 1920. Moments d'abstracció, Països Baixos, 17 pintors, Espai 2 del Palau de la Virriena, Barcelona, 29 September 1992–27 December 1992, ISBN 8487342752, p. 31, cat. no. 3, as Composició XXII, 1920-1922. La beauté exacte. Art Pays-Bas XXe siècle. De Van Gogh à Mondrian, Musée d'Art Moderne de la Ville de Paris, Paris, 25 March 1994–17 July 1994, cat. no. 8, p. 289, ill. 8, with color image on p. 244, as Composition XXII, 1920-1922. Flemish and Dutch painting from Van Gogh, Ensor, Magritte, Mondrian to contemporary artists, 16 March 1997–13 July 1997, Palazzo Grassi, Venice, Cat.no. 85, as 1920. |
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| References |
Anonymous, RKDimages, Art-work number 215669, as Composition XXII, juni-juli 1922, 50 × 50 cm (19.6 × 19.6 in) Anonymous, Vereniging Rembrandt, as Compositie XXII, 1922, 50 × 50 cm (19.6 × 19.6 in). Anonymous, Bildindex der Kunst und Architektur, object 20321442, as Komposition XXII, 1920, 50 × 50 cm (19.6 × 19.6 in) Portfolio, as ‘Comp. 1920 (Coll. Th. Rinsema. Drachten)’ Lijst 1, as ‘Composition XXIII ... 1921 Weimar ... (geheel vierkant) TH. RINSEMA.’ Els Hoek (ed.; 2000) Theo van Doesburg. Oeuvrecatalogus, Bussum: Uitgeverij Thot, ISBN 90-6868-255-5, p. 313-315, cat. no. 678, with color image, on p. 314, as Compositie XXII, 1922, juni-juli, 50 × 50 cm (19.6 × 19.6 in). |
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| Source/Photographer | Lempkesfabriek | |||||||||||||||||||||||||||
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
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| current | 23:03, 1 August 2008 | | 639 × 639 (49 KB) | Lempkesfabriek (talk | contribs) | {{Information |Description={{en|1=XXII ; Theo van Doesburg ; 1922 ; Circa 45 × 45 cm ; Eindhoven ; Van Abbemuseum}} {{nl|1= }} |Source=eigen werk (own work) |Author=Lempkesfabriek |Date=jul-2008 |Permission= |other_versions= }} { |
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