File:Terracotta amphora (jar) MET DP119153.jpg

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Original file (2,882 × 3,842 pixels, file size: 1.22 MB, MIME type: image/jpeg)

Captions

Captions

Terracotta amphora (jar), signed by Andokides, attributed to the Andokides Painter, attributed to the Lysippides Painter, Greek, Attic (MET, 63.11.6)

Summary

[edit]
Terracotta amphora (jar)   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Andokides    wikidata:Q391671
 
Description Attic potter
Date of birth 6th century BC
date QS:P,-550-00-00T00:00:00Z/7
 Edit this at Wikidata
Authority file
artist QS:P170,Q391671
Andokides painter    wikidata:Q492239
 
Alternative names
Andokides Painter; Andocides painter
Description Greek red-figure vase painter, vase painter and Attic vase-painter
Date of birth 6th century BC
date QS:P,-550-00-00T00:00:00Z/7
 Edit this at Wikidata
Work period between circa 530 and circa 515 BC
Work location
Athens Edit this at Wikidata
Authority file
artist QS:P170,Q492239
Lysippides Painter    wikidata:Q1878978
 
Description Greek black-figure vase painter and Attic vase-painter
Date of birth 6th century BC
date QS:P,-550-00-00T00:00:00Z/7
 Edit this at Wikidata
Work period from 530 until 510 BC
Work location
Attica Edit this at Wikidata
Authority file
artist QS:P170,Q1878978
Title
Terracotta amphora (jar)
Description
Greek, Attic; Amphora, Type A; Vases; On the body, obverse, Herakles and Apollo vying for possession of the Delphic tripod, which was central to the oracle of Apollo; reverse, Dionysos, the god of wine, between satyr and maenad; On the lip, obverse and reverse, Herakles and the Nemean Lion
Date circa 530 B.C.
Medium Terracotta
Dimensions H. 22 5/8 in. (57.5 cm)
institution QS:P195,Q160236
Current location
Greek and Roman Art
Accession number
63.11.6
Credit line Purchase, Joseph Pulitzer Bequest, 1963
Inscriptions Signed by Andokides as potter
Notes The introduction of the red-figure technique is attributed to the workshop of Andokides. While we think of red-figure mainly in terms of drawing, it differs from black-figure also in the very different apportionment of glazed and unglazed surfaces on a vase. The preparation of these surfaces was probably the responsibility of the potter, and for this reason, the new technique is associated with a potter rather than a painter. On some works combining red-figure and black-figure, a single painter seems to have done both; here, however, two different artists are likely. The scene on the obverse depicts the hero Herakles with his club and the god Apollo with bow and arrows, struggling over the Delphic tripod, which Herakles sought to carry off.
Source/Photographer

https://www.metmuseum.org/art/collection/search/255154

Permission
(Reusing this file)
Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

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