File:Ardhanarishvara sculpture in Cave 1 of Elephanta caves.jpg
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[edit]DescriptionArdhanarishvara sculpture in Cave 1 of Elephanta caves.jpg |
English: It is a damaged four-armed Ardhanarishvara carving. This image, which is 5.11 m (16.8 ft) in height. It represents the ancient Hindu concept of essential interdependence of the feminine and the masculine aspects in the universe, for its creation, its sustenance and its destruction.It is represented as half woman shown as half of Parvati in this Elephanta panel on the right side, with breast, waist, feminine hair and items such as a mirror in the upper hand. The second half-man side is Shiva with male characteristics and items iconographically his symbol. In Shaivism, the concept pictorially symbolizes the transcendence of all duality including gender, with the spiritual lacking any distinctions, where energy and power (Shakti, Parvati) is unified and is inseparable with the soul and awareness (Brahman, Shiva).
In the panel, the relief shows a headdress (double-folded) with two pleats draped towards the female head (Parvati) and the right side (Shiva) depicting curled hair and a crescent. The female figure has all the ornamentation (broad armlets and long bracelets, a large ring in the ear, jewelled rings on the fingers) but the right male figure has drooping hair, armlets and wristlets. One of his hands rests on Nandi bull's left horn, Shiva's mount, which is fairly well preserved. The pair of hands at the back is also bejewelled; the right hand of the male side holds a serpent, while the left hand of the female side holds a mirror. The front left hand is broken, while a large part of the lower half of the panel was damaged at some point. Around the Ardhanarishwara are three layers of symbolic characters. The lowest or at the same level as the viewer are human figures oriented reverentially towards the androgyne image. Above them are gods and goddesses such as Brahma, Vishnu, Indra and others who are seated on their vahanas. Above them are flying apsaras approaching the fused divinity with garlands, music, and celebratory offerings.
मराठी: हे चार हात असलेले अर्धनारीश्वर शंकराचे कोरीवकाम आहे. ही प्रतिमा 5.11 मीटर (16.8 फूट) उंचीची आहे. हे विश्वातील स्त्रीलिंगी आणि पुल्लिंगी पैलूंच्या अत्यावश्यक परस्परावलंबनाच्या प्राचीन हिंदू संकल्पनेचे प्रतिनिधित्व करते, तिची निर्मिती, तिचे पालनपोषण आणि त्याचा नाश दर्शविते. उजव्या बाजूला असलेल्या एलिफंटा पॅनेलमध्ये अर्ध्या स्त्रीला पार्वती म्हणून दाखवले आहे, स्तन, कंबर, स्त्रीलिंगी केस आणि वरच्या हातात आरशासारख्या वस्तू आहेत . दुसऱ्या अर्ध्या पुरुषाची बाजू म्हणजे शिव आहे ज्यात पुरुष वैशिष्ट्ये आणि वस्तूंचे प्रतीकात्मक चिन्ह आहे. शैव धर्मात, संकल्पना चित्रितपणे लिंगासह सर्व द्वैतांच्या पलीकडे जाण्याचे प्रतीक आहे, ज्यामध्ये अध्यात्मिक असा कोणताही भेद नाही, जिथे ऊर्जा आणि शक्ती (शक्ती, पार्वती) एकरूप आहे आणि आत्मा आणि जागरूकता (ब्रह्म, शिव) यांच्याशी अविभाज्य आहे.
शिल्पामध्ये स्त्रीच्याडोक्यावर (पार्वती) आणि उजव्या बाजूला (शिव) दोन प्लॅट्स असलेले शिरोभूषण (दुहेरी दुमडलेले) आणि कुरळे केस आणि चंद्रकोर दर्शविते. स्त्री आकृतीमध्ये सर्व अलंकार आहेत (रुंद बाहू आणि लांब बांगड्या, कानात एक मोठी अंगठी, बोटांमध्ये रत्नजडित अंगठ्या) परंतु उजव्या पुरुष आकृतीचे केस झुबकेदार, हाताच्या कड्या आणि मनगट आहेत. त्याचा एक हात नंदी बैलाच्या डाव्या शिंगावर, शिवाच्या पर्वतावर आहे, जो बऱ्यापैकी जतन केलेला आहे. पाठीमागील हातांची जोडी देखील सुशोभित आहे; पुरुषाच्या उजव्या हातामध्ये नाग असतो, तर स्त्रीच्या डाव्या हातामध्ये आरसा असतो. समोरचा डावा हात तुटला आहे, तर शिल्पाच्या खालच्या अर्ध्या भागाला काही ठिकाणी नुकसान झाले आहे. अर्धनारीश्वराभोवती प्रतीकात्मक पात्रांचे तीन पदर आहेत. सर्वात खालच्या किंवा दर्शकाच्या समान स्तरावरील मानवी आकृत्या प्रतिमेकडे आदरपूर्वक केंद्रित आहेत. त्यांच्या वर ब्रह्मा, विष्णू, इंद्र आणि इतर देवी-देवता त्यांच्या वाहनांवर विराजमान आहेत. त्यांच्या वर उडत्या अप्सरा हार, संगीत आणि उत्सवाच्या अर्पणांसह जोडलेल्या देवत्वाच्या जवळ येत आहेत.
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Source | Own work | ||||||||
Author | Saankav |
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This image was uploaded as part of Wiki Loves Monuments 2022.
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Camera model | motorola one fusion+ |
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Camera manufacturer | motorola |
Date and time of data generation | 13:18, 14 September 2022 |
Exposure time | 1/20 sec (0.05) |
F-number | f/1.8 |
ISO speed rating | 12,576 |
Lens focal length | 5.53 mm |
Vertical resolution | 72 dpi |
Horizontal resolution | 72 dpi |
Width | 4,640 px |
Height | 3,472 px |
Y and C positioning | Centered |
Orientation | Normal |
File change date and time | 13:18, 14 September 2022 |
Exif version | 2.2 |
APEX aperture | 1.69 |
Scene type | 0 |
APEX exposure bias | −0.33333333333333 |
Exposure Program | Not defined |
Color space | sRGB |
Maximum land aperture | 1.69 APEX (f/1.8) |
APEX brightness | 0 |
Supported Flashpix version | 1 |
DateTimeOriginal subseconds | 258712 |
White balance | Auto white balance |
Exposure mode | Auto exposure |
Flash | Flash did not fire, compulsory flash suppression |
DateTime subseconds | 258712 |
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Focal length in 35 mm film | 0 mm |
DateTimeDigitized subseconds | 258712 |
Digital zoom ratio | 1 |
Date and time of digitizing | 13:18, 14 September 2022 |
APEX shutter speed | 4.321 |
Metering mode | Average |
Scene capture type | Standard |
Light source | D65 |
Sensing method | 0 |
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14 September 2022
18°57'47.99999"N, 72°55'53.00000"E
0.05 second
1.8
5.53 millimetre
12,576
image/jpeg
7b26b724e93f02b8728ba6ea13167d99c4771d54
6,853,148 byte
3,472 pixel
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