Commons:Undeletion requests/Current requests
Current requests
[edit]Images were published after 2015, expiration of posthumous copyright protection of photographer after death, or before 1954. Overly hypothetical doubts by now-banned user who made many overzealous deletion requests. Kges1901 (talk) 18:16, 15 August 2024 (UTC)
Oppose As I noted in the DR, these are either under URAA copyright, as are all Russian images published after 1942, or, if unpublished until recently, are under copyright in Russia. In either case we cannot keep them. . Jim . . . (Jameslwoodward) (talk to me) 16:16, 16 August 2024 (UTC)
- We usually assume that old works were published at the time of creation, unless evidence says otherwise. If I understood correctly, the author was a reporter for RIAN, so I see no reason to assume that these pictures were not published at the time. The first file in the list, File:Сессия Верховного Совета СССР первого созыва (2).jpg, is dated 1938. That may not be sufficient for all images, but it seems OK for this one. Yann (talk) 20:10, 16 August 2024 (UTC)
- Troshkin was a reporter for the newspaper Izvestiya, and his photographs were published at the time in Izvestiya, Krasnaya Zvezda, and other papers. --Kges1901 (talk) 20:19, 16 August 2024 (UTC)
- Carl Lindberg also made an interesting argument about the country of origin. If these newspapers were distributed in the Soviet Union, they were simultaneously published in all successor nations, and that under the Berne Convention, the shorter term applies. Yann (talk) 20:23, 16 August 2024 (UTC)
- These newspapers were distributed across the entire Soviet Union, not just on the territory of the RSFSR. In any case, the definition of publication under Russian copyright law is that the back of the photograph was marked by the artist in the appropriate way, which for war photographs implies that it passed through censorship processes and could be published. Since most of these photographs are not taken from the photographer's negatives, it is reasonable to assume that they were marked on the back, and recently digitized images appeared on the internet after 2014, when the posthumous publication copyright term expired. Kges1901 (talk) 20:32, 16 August 2024 (UTC)
- Carl Lindberg is not sole in such assumption. But this is just assumption so far, it is not supported by court decisions (of 12-15 post-Soviet states) or jurisprudential literature (as I have known on today, I continue to seek it, to confirm or refute it). As I see such questions in court decisions (of several post-Soviet states) or jurisprudential literature - the concrete Soviet republic is place of publishing (because, the civil legislation was on republican level) or the RF is place of publishing, even if work was published outside of the RSFSR (as USSR-successor on union level). Alex Spade (talk) 10:29, 17 August 2024 (UTC)
- Carl Lindberg also made an interesting argument about the country of origin. If these newspapers were distributed in the Soviet Union, they were simultaneously published in all successor nations, and that under the Berne Convention, the shorter term applies. Yann (talk) 20:23, 16 August 2024 (UTC)
- Troshkin was a reporter for the newspaper Izvestiya, and his photographs were published at the time in Izvestiya, Krasnaya Zvezda, and other papers. --Kges1901 (talk) 20:19, 16 August 2024 (UTC)
- I'm not sure there is any test case over the Berne definition of "country of origin". The question would not come up internally for Russian law or that of the old republics, most likely. It would only matter in a country outside those which implement the rule of the shorter term, and over a work which that question may be involved. Not sure I know of any, anywhere. But, the Berne Convention is pretty specific in its definition when it comes to works simultaneously published in multiple countries, and that is the definition that Commons follows. Of course, the Soviet Union was not a member, though most all subsequent countries are now. One complication is the U.S. status -- the definition of "source country" for the URAA would follow different logic than Berne, the country of "greatest contacts with the work", which would be Russia. Russia was 50pma on the URAA date, but I think had some wartime extensions, which I think push these over the line, such that only ones published before 1929 (or created before 1904, if unpublished) would be PD in the U.S., regardless of current status in Russia, or the country of origin (if different). Carl Lindberg (talk) 19:09, 27 August 2024 (UTC)
- I do not know such cases (on the Berne definition) too, but in the Russian copyright legislation there are 3 criterions of copyrightability - (1) the Russian territory (the territory of the Russian Federation (the RSFSR previously, not the USSR) since Nov.7, 1917 to today) in the borders on the date of publication, (2) the Russian citizenship on the date of publication, and (3) international treaties.
Moreover, there is similar situation with reports of telegraph agencies or press-releases- they are reported/released worldwide formally, but the country indicated in report/release is the country of origin (some reports/releases have two of more indicated countries). Alex Spade (talk) 22:12, 28 August 2024 (UTC)- Right -- the Berne country of origin pretty much never applies to internal works, or even most situations involving foreign works. The specific definition in Berne pretty much only matters if a country is applying the rule of the shorter term for a foreign work to have lesser protection than their own works normally do; the Berne definition would have to be used in that case to determine the country, since that is in the treaty. In pretty much any other situation, more sensical definitions can be used (which even the US did, with the URAA -- the "source country" there is pretty much the same thing, but differs quite a bit once it comes to simultaneous publication). But however nonsensical it seems, Commons uses the Berne definition, since that should control when works expire in many countries (even if that virtually never comes up in a court case to test it). Carl Lindberg (talk) 01:15, 29 August 2024 (UTC)
- @Clindberg & Yann Attention please, some files in the aforementioned DR might affect Afghanistan, and per w:Rule_of_the_shorter_term, Afghan (even de facto under Taliban's rules) doesn't recognize such the rule. Liuxinyu970226 (talk) 00:19, 13 December 2024 (UTC)
- Right -- the Berne country of origin pretty much never applies to internal works, or even most situations involving foreign works. The specific definition in Berne pretty much only matters if a country is applying the rule of the shorter term for a foreign work to have lesser protection than their own works normally do; the Berne definition would have to be used in that case to determine the country, since that is in the treaty. In pretty much any other situation, more sensical definitions can be used (which even the US did, with the URAA -- the "source country" there is pretty much the same thing, but differs quite a bit once it comes to simultaneous publication). But however nonsensical it seems, Commons uses the Berne definition, since that should control when works expire in many countries (even if that virtually never comes up in a court case to test it). Carl Lindberg (talk) 01:15, 29 August 2024 (UTC)
- I do not know such cases (on the Berne definition) too, but in the Russian copyright legislation there are 3 criterions of copyrightability - (1) the Russian territory (the territory of the Russian Federation (the RSFSR previously, not the USSR) since Nov.7, 1917 to today) in the borders on the date of publication, (2) the Russian citizenship on the date of publication, and (3) international treaties.
- I'm not sure there is any test case over the Berne definition of "country of origin". The question would not come up internally for Russian law or that of the old republics, most likely. It would only matter in a country outside those which implement the rule of the shorter term, and over a work which that question may be involved. Not sure I know of any, anywhere. But, the Berne Convention is pretty specific in its definition when it comes to works simultaneously published in multiple countries, and that is the definition that Commons follows. Of course, the Soviet Union was not a member, though most all subsequent countries are now. One complication is the U.S. status -- the definition of "source country" for the URAA would follow different logic than Berne, the country of "greatest contacts with the work", which would be Russia. Russia was 50pma on the URAA date, but I think had some wartime extensions, which I think push these over the line, such that only ones published before 1929 (or created before 1904, if unpublished) would be PD in the U.S., regardless of current status in Russia, or the country of origin (if different). Carl Lindberg (talk) 19:09, 27 August 2024 (UTC)
Another aspect to consider is how publication is defined. For example, in this academic article about Russian copyright law, it is stated that an author, transferring a work to another by agreement, gives consent to publication, and thus the work can be considered published. This means that if Troshkin transferred his negatives to his employer (Izvestiya), the works would be legally considered published. Since all photos in question are of a professional nature, there is no reason to assume that Troshkin kept any of these photographs in his personal possession and did not transfer them to his employer. Considering this, then all of his photos would have been legally published when he transferred them to his employer, that is, definitely before his death in 1944, and all these photographs would be firmly public domain. Kges1901 (talk) 08:13, 8 September 2024 (UTC)
- Term publication (обнародование or опубликование in Russian, and these are two different term in the Russian copyright) is defined in the paragraph one and two of part 1 of article 1268 of the Civil Code. Consent to publication is not publication (right for exercise of some action is not action). And mentioned resent discussion on the Ru-Wiki for orphan works (where I was the main speaker) does not matter for Troshkin's works - author of photos (Troshkin) is known. Alex Spade (talk) 09:03, 8 September 2024 (UTC)
At the same time if there is a source for original of photo and its reverse side, and such original (reverse side) is marked by author name and a year, then this year can be considered as year of publication according to the last paragraph of article 475 of the Soviet Russian Civil Code. Alex Spade (talk) 09:22, 8 September 2024 (UTC)
- In terms of copyright I am specifically discussing the nuances of обнародование because the term contains a broader meaning than simply опубликование, and the expiration of copyright (if work is posthumously published) is calculated from обнародование and not опубликование of a work – regarding photographs, that public display of a work counts as обнародование while not опубликование in the strict sense, therefore opening broader possibilities for the release of a work during Troshkin's lifetime.
- Regarding originals, another aspect is that at least some of Troshkin's photographs were sent into TASS and copyright thus transferred to TASS, falling under PD-Russia under the TASS aspect. For example this photograph was marked on the back with TASS copyright stamp even though Troshkin was an Izvestiya correspondent.
- In any case presence of markings on the back is the most hopeful approach to this problem of posthumous copyright since any photograph/negative with a description had to have been marked on the back with a caption and name of the author, since Troshkin's photographs presumably entered into a centralized group of photographs cleared for publication, as his photographs were not just published in Izvestiya, but in Krasnaya Zvezda, Vechernyaya Moskva, other newspapers, and books (for example a large quantity of his photographs taken during the Battle of Khalkhin Gol appeared in this 1940 book without mention of his name. Secondly finding an exact date for negatives such as this example would have been impossible if there was no marking on the back. The fact that exact dates taken are available for negatives indicates that they were also marked in some way with captions, dates and names of author. Examples of such author name and year markings on the back of a Troshkin photograph include [1], [2], [3], [4], [5], [6], [7]. Kges1901 (talk) 13:35, 8 September 2024 (UTC)
- Yes, обнародование is wider than опубликование, but the fact (and the date) of обнародование must be proved (for example for some painting "This painting was created in 1923 and was shown on ZYX-art exhibition in 1925, see reference link").
- Yes, if photowork is marked by TASS (no matter by TASS only or by TASS+name_of_real_photograph), this photowork is TASS-work. Alex Spade (talk) 14:56, 8 September 2024 (UTC)
- No discussion for over 3 months, there is no consensus. — Preceding unsigned comment was added by 185.172.241.184 (talk) 13:37, 10 December 2024 (UTC)
Undeletion of individual photographs
[edit]- @Yann: Undelete File:Артисты МХАТ СССР имени Горького возвращаются из Парижа со Всемирной выставки.jpg. Published in Izvestiya, 1 September 1937. Kges1901 (talk) 01:47, 9 September 2024 (UTC)
- Done @Kges1901: Please add relevant information in the file description. Yann (talk) 09:33, 10 September 2024 (UTC)
The undeletion discussion in the following section is now closed. Please do not make any edits to this archive.
The image that was deleted was a photo I took of the main subject of the article -- the Rush Brush. The brush's patent and copyright expired twenty years ago.
Hello Im Zach (talk) 19:05, 12 December 2024 (UTC)
- Túrelio deleted this as a DW of copyrighted content. I don't see anything here that has a copyright. . Jim . . . (Jameslwoodward) (talk to me) 20:53, 12 December 2024 (UTC)
- Support The design of the brush is purely utilitarian, so a photo of it is never going to be a copyvio regardless of its patent or copyright status. Most of the packaging is below COM:TOO, while the small photos in the lower right are COM:DM IMO. -- King of ♥ ♦ ♣ ♠ 00:11, 13 December 2024 (UTC)
Done: per above. --The Squirrel Conspiracy (talk) 22:11, 13 December 2024 (UTC)
The undeletion discussion in the following section is now closed. Please do not make any edits to this archive.
At the time of upload this file, the CC license is listed. CC licenses are not revocable. [8] — Null (contributions | talk) 05:31, 13 December 2024 (UTC)
- Support per [9]. Ankry (talk) 13:41, 13 December 2024 (UTC)
Done: Undeleted this one and the other one in the series and put the archive link in license review. --The Squirrel Conspiracy (talk) 22:10, 13 December 2024 (UTC)
The undeletion discussion in the following section is now closed. Please do not make any edits to this archive.
The file was deleted allegedly because it was duplicated. However, according to the rules, files are not considered duplicates if they are in different formats.--Dizenter (talk) 06:45, 13 December 2024 (UTC)
- Oppose The uploader didn't prove that the file was licensed under a free license, or if he had proper permission to upload it under one. – Anwon (talk) 07:08, 13 December 2024 (UTC)
- Info Duplicate of File:Julani.png, which has been deleted. Thuresson (talk) 10:49, 13 December 2024 (UTC)
Not done: there are apparently licensing issues, which haven't been addressed. Regards, Aafi (talk) 16:21, 14 December 2024 (UTC)
Requests by SaintJosephOurPatron
[edit]- File:Peter Sonski Portrait.jpg
- File:Peter Sonski and Lauren Onak (Formal).jpg
- File:Peter Sonski and Lauren Onak (Formal, Closer).jpg
- File:Peter Sonski and Lauren Onak (Casual, Three-Quarters).jpg
- File:Lauren Onak Portrait.jpg
- File:Peter Sonski and Lauren Onak (Casual).jpg
- File:Lauren Onak and Peter Sonski (Formal).jpg
Please undelete the photo. Sorry, when I got the initial request to authenticate, I thought that it may be spam. We get so much these days. Plus this is my only experience with WikiMedia Commons. I am not familiar with how this all works.
Thank you!
Aaron Joseph --SaintJosephOurPatron (talk) 20:40, 13 December 2024 (UTC)
Per the discussion at Commons:Undeletion requests/Archive/2024-09#Files deleted by Taivo, the PBS logo was not copyrighted due to formalities. Mvcg66b3r (talk) 03:56, 14 December 2024 (UTC)
This deletion kills the number in Claude Monet catalogue raisonné, 1996 Wildenstein by User:CommonsDelinker. --Maltaper (talk) 16:08, 14 December 2024 (UTC)
- But this is not a valid undeletion rationale. Regards, Aafi (talk) 16:13, 14 December 2024 (UTC)
- Oppose Gallery can use a different file or just list that no file is available. Abzeronow (talk) 19:24, 14 December 2024 (UTC)
The undeletion discussion in the following section is now closed. Please do not make any edits to this archive.
File:MG LLC-Chairman-CEO-Siva-Raghavan-M-V-2024-12-14.png File:Siva-Raghavan-M-V-Signature.png
[edit]Dear Wikimedia Commons Administrator,
I am writing to appeal the deletion of the image and signature I recently uploaded. These files represent the Chairman & CEO of MVSR GROUPS LLC, an individual who is the subject of an article I am drafting for Wikipedia. The materials were sourced from the company’s official profile page of executives, and I have explicit permission to use them for Wikipedia under a compatible license.
The company's website (https://mvsrgroups.com/) is temporarily offline due to major updates, which may have caused difficulties in verifying the source.
To clarify, I followed the formatting used in similar articles (e.g., Satya Nadella's profile), which includes a photo and signature. I request guidance on how best to re-upload these files in compliance with Wikipedia and Commons policies.
Please let me know if additional permissions or evidence are required. I’m happy to assist further.
Writer707-1 (talk) 16:37, 14 December 2024 (UTC)
Not done: Socking, self-promotion, etc. --Yann (talk) 18:02, 14 December 2024 (UTC)
Images of Roma Termini train station
[edit]Hi everyone, I'm writing here in order to ask for the undeletion of the following images:
- File:010318 1 Roma Termini.JPG
- File:Esquilino - termini pensilina 051218-01.JPG
- File:Roma-stazione termini20.jpg
- File:Stazione Termini, Roma - Giovanni Paolo II.jpg
- File:Termini3.JPG
- File:Gare Roma Termini.JPG
- File:Stazione termini, da via marsala.JPG
- File:Stazionetermini.jpg
They were all deleted in 2013 after these two DRs. They all depict the en:Roma Termini railway station. The railway station that is visible today is the union of two different projects: the wings were designed by en:Angiolo Mazzoni in 1939. As already pointed out in many past DRs (see see here, here, here, here, here, here and here), Mazzoni was an employee of the Ministry for Communications, and therefore its works were works for hire. Mazzoni had designed a project for the entire building, but the construction was interrupted by the IIWW and in 1945 it was decided by the Ministry for Transport to announce a public contest for the facade, that had not been built yet. The contest took place in 1947 and it was won by a group of architects headed by en:Annibale Vitellozzi and it:Eugenio Montuori (see here here and here). The new railway station was finally inaugurated in 1950. Therefore, the entire building fell under Template:PD-ItalyGov at latest in 1971. The station was built before 1990, so no issue with US copyright.--Friniate (talk) 16:56, 14 December 2024 (UTC)