Commons:Copyright rules by territory/United Kingdom/pl: Difference between revisions

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<noinclude><languages/></noinclude>
{{Translatable template|Infobox copyright rules
|Country = Wielka Brytania
|Country = <span lang="en" dir="ltr" class="mw-content-ltr">the United Kingdom</span>
|Shortcut = UK
|Flag = Flag of the United Kingdom.svg
|Map = United Kingdom in Europe.svg
|Standard = Ponad 70 lat życia
|Standard = <span lang="en" dir="ltr" class="mw-content-ltr">Life + 70 years</span>
|Government = <span lang="en" dir="ltr" class="mw-content-ltr">[[Commons:Copyright rules by territory/United Kingdom#Crown copyrightCROWN|Crown copyright]]</span>
|Anonymous = Ponad 70 lat od utworzenia/publikacji
|Anonymous = <span lang="en" dir="ltr" class="mw-content-ltr">Create/Publish + 70 years</span>
|YearFreedom endof panorama = <span lang="en" dir="ltr" class="mw-content-ltr">YesFor 3D works and "works of artistic craftsmanship"</span>
|Year end = Tak
|Tags = {{tl|PD-old-auto}}<br/>{{tl|PD-UKGov}}<br/>{{tl|PD-UK-unknown}}<br/>{{tl|PD-UK-posthumous-non-photo-1996}}<br/>
|Tags = {{plainlist|
|Berne date = <span lang="en" dir="ltr" class="mw-content-ltr">5 December 1887</span>
* {{tl|PD-old-auto}}
|WTO date = <span lang="en" dir="ltr" class="mw-content-ltr">1 January 1995</span>
* {{tl|PD-UKGov}}
|WIPO treaty = <span lang="en" dir="ltr" class="mw-content-ltr">14 March 2010</span>
* {{tl|PD-UK-unknown}}
|UCC date = <span lang="en" dir="ltr" class="mw-content-ltr">27 September 1957</span>
* {{tl|PD-UK-posthumous-non-photo-1996}}
|URAA date = <span lang="en" dir="ltr" class="mw-content-ltr">1 January 1996</span>
}}
|Berne date = 5 grudnia 1887
|WTO date = 1 stycznia 1995
|WIPO treaty = 14 marca 2010
|UCC date = 27 września 1957
|URAA date = 1 stycznia 1996
}}
<div lang="en" dir="ltr" class="mw-content-ltr">
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<div lang="en" dir="ltr" class="mw-content-ltr">
A November 2023 Appeal Court judgement (THJ v Sheridan, 2023) clarified that no new copyright is created in making a photographic reproduction of a two-dimensional public domain artwork, and that this has been the case since 2009.<ref name="THJvSheridan">{{Cite Q|Q124044396}}</ref><ref name="Grosvenor-2023">{{Cite Q|Q124044230}}</ref>
==Summary==
</div>
 
<span id="Summary"></span>
<div lang="en" dir="ltr" class="mw-content-ltr">
==Podsumowanie==
* Standard copyright term: Life + 70 years
* <span lang="en" dir="ltr" class="mw-content-ltr">Standard copyright term: Life + 70 years</span>
*{{wp-Crown copyright|Crown copyright}}:
** <span lang="en" dir="ltr" class="mw-content-ltr">50 years from first commercial publication, but</span>
** <span lang="en" dir="ltr" class="mw-content-ltr">works except engravings created prior to 30 June 1957: 50 years from creation</span>
* <span lang="en" dir="ltr" class="mw-content-ltr">Anonymous works</span>
</div>
** <divspan lang="en" dir="ltr" class="mw-content-ltr">Photographs created before 30 June 1957: 70 years after creation if unpublished, 70 years after publication if published within 70 years of creation</span>
*Anonymous works
** Photographs created before 30 June 1957: 70 years after creation if unpublished, 70 years after publication if published within 70 years of creation
* Posthumous works
** Non-photographic works, published posthumously before 1945, where author died 20 years or more before publication: 50 years after publication
</div>
 
<span id="General"></span>
<div lang="en" dir="ltr" class="mw-content-ltr">
==GeneralOgólne==
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
As with the European Union, the basic copyright term in the United Kingdom is life of the author plus 70 years. The author must be a {{wp-natural person|natural person}} and cannot be a corporation.
There are a number of variationsdetails onwhich thismust be taken into account, however.
Works in the United Kingdom fall into two categories for the purposes of copyright duration: government works and non-government works.
The former are covered by Crown copyright and Parliamentary copyright and their special duration rules, and the latter by ordinary copyright duration rules.
Line 87 ⟶ 88:
<div lang="en" dir="ltr" class="mw-content-ltr">
Crown copyright sound recordings follow the same rules as other sound recordings below.
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
===Ordnance Survey OpenData licence===
</div>
 
Line 92 ⟶ 97:
The Ordnance Survey OpenData licence has been designed to be compatible with Creative Commons BY 3.0 and appears to be okay.
</div><ref name=OSopendata/><ref name=OpenGovLic/>
<div lang="en" dir="ltr" class="mw-content-ltr">
===Open Government Licence===
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
Some works published from 2010 are available under the UK Open Government Licence, which(OGL).<ref isname=OpenGovLic/> The first version was meant to be compatible with the CC BY 3.0 licence, the latest version 3 with the CC-BY-4.0 Seelicence. Three versions of the {{tl|OGL}} exist. The following templates are available:
</div><ref name=OpenGovLic/>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
*{{tl|OGL}} for OGL version 1
*{{tl|OGL2}} for OGL version 2
*{{tl|OGL3}} for OGL version 3.
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
The OGL3 licence does NOT cover personal data, logos, military insignia, patents etc. A list is found on the template.
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
===Non-Commercial Government Licence===
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
The government also publishes a licence called Non-Commercial Government Licence<ref name=NCGL/>. This is [[COM{{pg|Commons:LLicensing|unacceptable]]}} by the Wikimedia Commons as it disallows the commercial reproductions. This licence was intended for use in a small handful of extremely limited circumstances and has not been widely adopted in government. See also [[Commons:Deletion requests/File:Canoe Slalom - Kynan Maley.jpg]].
</div>
 
Line 106 ⟶ 128:
 
<div lang="en" dir="ltr" class="mw-content-ltr">
Parliamentary copyright was created by the Copyright Designs & Patents Act 1988 and its duration rules are the same as for Crown copyright materials created after 30 August 1989. Some Parliamentary material is covered by the [https://www.parliament.uk/site-information/copyright-parliament/open-parliament-licence/ Open Parliament Licence] (with [https://www.parliament.uk/site-information/copyright-parliament/ exceptions]). The OPL serves the same function in the system of Parliamentary copyright as the Open Government Licence (OGL) does for Crown Copyright.
</div>
 
Line 124 ⟶ 146:
===Ordinary copyright===
</div>
 
[[File:UK non-Crown copyright flowchart.pdf|thumb|<span lang="en" dir="ltr" class="mw-content-ltr">Chart for determining expiry of UK copyright</span>]]
<div lang="en" dir="ltr" class="mw-content-ltr">
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If the work was created after 30 August 1989 and has a known author copyright expires 70 years after the death of the author. If the work is a photograph with a known author taken before 30 June 1957 then copyright also expires 70 years after the death of the author. If the work is a non-photograph artistic work with a known author which was created prior to 30 August 1989 then several scenarios can apply:
</div>
# <span lang="en" dir="ltr" class="mw-content-ltr">If the work was published during the author's lifetime then copyright expires 70 years after the death of the author.</span>
 
# <divspan lang="en" dir="ltr" class="mw-content-ltr">If the work was published before 30 August 1989 and the author died more than 20 years before publication then copyright expires 50 years after publication.</span>
# <span lang="en" dir="ltr" class="mw-content-ltr">If the work was published duringbefore 30 August 1989 and the author's lifetimedied less than 20 years before publication then copyright expires 70 years after the death of the author.</span>
# <span lang="en" dir="ltr" class="mw-content-ltr">If the work was not published before 30 August 1989 and the author died more thanafter 20 years before publication1968 then copyright expires 5070 years after publicationthe death of the author.</span>
# <span lang="en" dir="ltr" class="mw-content-ltr">If the work was not published before 30 August 1989 and the author died before 1969 then copyright expires at the end of 2039.</span>
</div>
<div lang="en" dir="ltr" class="mw-content-ltr">
# If the work was published before 30 August 1989 and the author died less than 20 years before publication then copyright expires 70 years after the death of the author.
# If the work was not published before 30 August 1989 and the author died after 1968 then copyright expires 70 years after the death of the author.
# If the work was not published before 30 August 1989 and the author died before 1969 then copyright expires at the end of 2039.
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
====Unknown author====
</div>
 
{{pg|Commons:Anonymous works|anchor=UK|Commons:Anonymous works:''United_Kingdom''}}
 
<div lang="en" dir="ltr" class="mw-content-ltr">
If the author is unknown then the basic time period to bear in mind is 70 years.
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<div lang="en" dir="ltr" class="mw-content-ltr">
If scanning material from a publication from 1982 or later database right must also be borne in mind. This right normally lasts 15 years from creation or substantial amendment of the database. Many books count as databases due to their systematic arrangement of information. Under transitional provisions works created from 1982-1997 are also covered by database right until the end of 2012, ie 15 years after the passage of the original legislation. It does not exist in the United States.
</div>{{anchor|TAG}}
 
<div lang="en" dir="ltr" class="mw-content-ltr">
==Commissioned works==
Line 203 ⟶ 218:
 
<div lang="en" dir="ltr" class="mw-content-ltr">
Accordingly, the ''Copyright, Designs and Patent Act of 1988'' empowers the exclusive rights of the authors. This means, unless there is a signed agreement transferingor deed assigning the copyright to someone else, the copyright in a commissioned work since August 1, 1989 is retained by the author or the person who created or designed the work. There may be some exceptions to this rule, however. For example, the commissioner holds the copyright if they may have "an implied licence to use the work", at least for the purposes of commission, and if the artist made the work while employed.{{Clarify|date=April 2024}}
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
The copyrights in the commissioned works made prior to 1 August 1989 are generally held by the commissioners.
</div>
* <span lang="en" dir="ltr" class="mw-content-ltr">For commissioned works created from 1 June 1957 to 31 July 1989, copyright stays with the commissioner, per the ''Copyright Act 1956''. "Commissioning" is defined here as "the payment or agreement to pay for a work with money or something of equivalent value." This means, the copyright in a work made by an artist while employed remains with the employer (the commissioner). Works made by artists under employment by a newspaper, magazine, or periodical owner, but solely for the purpose of publishing in the said publications, are likewise covered. In cases of other uses of commissioned works, the artists retain the ownership of copyright.</span>
* <span lang="en" dir="ltr" class="mw-content-ltr">The ''Copyright Act 1911'' applies to commissioned works made from 1 July 1912 to 31 May 1957. It had provisions identical to those at the ''Copyright Act 1956''.</span>
* <span lang="en" dir="ltr" class="mw-content-ltr">For commissioned works made prior to 1 July 1912, the ''1862 Fine Arts Copyright Act'' governs, stating that copyright of a painting, drawing, or photograph done for or on behalf of another person "for good and valuable consideration" belongs to the commissioner.</span>
 
<span id="Copyright_tags"></span>
<div lang="en" dir="ltr" class="mw-content-ltr">
* For commissioned works created from 1 June 1957 to 31 July 1989, copyright stays with the commissioner when the works are "commissioned", under the ''Copyright Act 1956''. "Commissioning" is defined here as "the payment or agreement to pay for a work with money or something of equivalent value." This means, the copyright in a work made by an artist while employed remains with the employer (the commissioner). Works made by artists under employment by a newspaper, magazine, or periodical owner, but solely for the purpose of publishing in the said publications, are likewise covered. In cases of other uses of commissioned works, the artists retain the ownership of copyright.
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
* The ''Copyright Act 1911'' applies to commissioned works made from 1 July 1912 to 31 May 1957. It had provisions identical to those at the ''Copyright Act 1956''.
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
* For commissioned works made prior to 1 July 1912, the ''1862 Fine Arts Copyright Act'' governs, stating that copyright of a painting, drawing, or photograph done for or on behalf of another person "for good and valuable consideration" belongs to the commissioner.
</div>
 
==Oznaczenia licencji==
<noinclude>{{CRT shortcut|TAG|United Kingdom|anchor=no}}
</noinclude><div lang="en" dir="ltr" class="mw-content-ltr">
The following are copyright tags/ templates for UK works. If you are uploading a UK-based work to Commons, please find the corresponding tag and add it to the licensing information for the item you are uploading (copy and paste, if you like). When you then save the file, these tags will expand to produce and appropriate text for that kind of license.
</div>
*{{tl|PD-UK-unknown}} <span class="mw-translate-fuzzy">*{{tl|PD-UK-unknown}} – this applies for old UK images of unknown authorship where copyright has expired
<div class="mw-translate-fuzzy">
*{{tl|PD-UK-unknown}} – this applies for old UK images of unknown authorship where copyright has expired
*{{tl|PD-Britannica}} - utwór z jedenastego wydania ''Encyclopædia Britannica'' (1911)
*{{tl|PD-UKGov}} - utwór stworzony przez rząd brytyjski
**{{tl|oldOS}} – this tag is for Ordnance Survey maps published in the UK over 50 years ago.
**{{tl|OS OpenData}} – this tag is for Ordnance Survey maps published in the UK.</span>
**{{tl|PD-Britannica}} <span lang="en" dir="ltr" class="mw-content-ltr">– images from the 12th edition of the Encyclopædia Britannica or earlier.</span>
</div>
*{{tl|PD-UKGov}} <span lang="en" dir="ltr" class="mw-content-ltr">– UK Crown copyright images where copyright has expired (typically works created prior to {{#expr:{{#time:Y}}-50}})</span>
**{{tl|oldOS}} <span lang="en" dir="ltr" class="mw-content-ltr">– Ordnance Survey maps published in the UK over 50 years ago.</span>
**{{tl|OS OpenData}} <span lang="en" dir="ltr" class="mw-content-ltr">– Ordnance Survey maps published in the UK.</span>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
The UK's Open Government Licence (OGL) (view in English or Welsh) is a simple set of terms and conditions that facilitates the re-use of a wide range of public sector information free of charge. Since 2010, almost all information owned by the UK Crown is offered for use and re-use under the Open Government Licence. The licence is also used by other bodies, including local government.
</div>
*{{tl|OGL}}
*{{tl|OGL2}}
*{{tl|OGL3}} <span lang="en" dir="ltr" class="mw-content-ltr">– The latest version</span>
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
The Open Parliament License (OPL) facilitates the free use of material made available by the House of Commons or the House of Lords in which copyright or database right subsists. Almost all material produced by Parliament and its committees is governed by the Open Parliament License.
</div>
*{{tl|OPL}}
</div>
 
 
<div lang="en" dir="ltr" class="mw-content-ltr">
==Cheque==
Line 255 ⟶ 262:
{{Ok|OK in some cases}}. The design of standard UK cheques is below threshold of originality. However, many cheques include logos, watermarks, and other features that are sufficiently original to be protected by copyright; these cheques can not be uploaded to Commons.
</div>
{{anchor|CUR}}
<div lang="en" dir="ltr" class="mw-content-ltr">
==Currency ==
</div>
<noinclude>{{CRT shortcut|CUR|UK|anchor=no}}</noinclude>
</noinclude><div lang="en" dir="ltr" class="mw-content-ltr">
{{NotMark}}. UK banknotes are fully protected by copyright. The {{wp-Bank of England|Bank of England}} owns the copyright on its banknotes, and all banknotes carry a © notice.<ref name=BofEimages/>
No images of these banknotes may be uploaded to Commons.
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<div lang="en" dir="ltr" class="mw-content-ltr">
"Artistic work", as defined within the act, includes photographs.
</div>{{anchor|FOP}}
<span id="Freedom_of_panorama"></span>
{{anchor|FOP}}
==Wolność panoramy==
<div lang="en" dir="ltr" class="mw-content-ltr">
==Freedom of panorama==
</div>
<noinclude>{{CRT shortcut|FOP|UK|anchor=no}}
</noinclude><div lang="en" dir="ltr" class="mw-content-ltr">
Line 330 ⟶ 336:
 
<div lang="en" dir="ltr" class="mw-content-ltr">
The courts have not established a consistent test for what is meant by a "work of artistic craftsmanship", but one of the standard reference works on copyright, ''Copinger and Skone James'', suggests that for a work to be considered as such the creator must be both a craftsman and an artist.<ref>''Copinger and Skone James on Copyright'' (18th edn, Sweet & Maxwell 2021) vol 1, para 3-155.</ref> Evidence of the intentions of the maker are relevant, and according to the House of Lords case of ''Hensher -v- Restawile'' [1976] AC 64, it is "relevant and important, although not a paramount or leading consideration" if the creator had the conscious purpose of creating a work of art. It is not necessary for the work to be describable as 'fine art'.
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
In ''Hensher -v- Restawile'', some examples were given of typical articles that might be considered works of artistic craftsmanship, including hand-painted tiles, stained glass, wrought iron gates, and the products of high-class printing, bookbinding, cutlery, needlework and cabinet-making.
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
Other works that have been held (by courts in common law jurisdictions outside the UK) to fall under this definition include hand-knitted woollen sweaters, fabric with a highly textured surface including 3D elements, a range of pottery and items of dinnerware.
The cases are, respectively, ''Bonz -v- Cooke'' [1994] 3 NZLR 216 (New Zealand), ''Coogi Australia -v- HyrdrosportHydrosport'' (1988) 157 ALR 247 (Australia), ''Walter Enterprises -v- Kearns'' (Zimbabwe) noted at [1990] 4 EntLR E-61, and ''Commissioner of Taxation -v- Murray'' (1990) 92 ALR 671 (Australia).
</div>
 
Line 354 ⟶ 360:
</div><ref name=DACSfactsheet/><ref name=Artquest/>
 
<span id="Stamps"></span>
<div lang="en" dir="ltr" class="mw-content-ltr">
==Znaczki pocztowe==
==Stamps==
</div>
<noinclude>{{Comseealso|Commons:Stamps/Public domain}}
</noinclude>
Line 370 ⟶ 375:
==Threshold of originality==
</div>
<noinclude>{{CRT shortcut|TOO|UK|anchor=no}}</noinclude>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
{{OkMark}} for Lego bricks (see [[w:Interlego v Tyco Industries]]).
<noinclude>{{CRT shortcut|TOO|UK|anchor=no}}</noinclude>
{{OkMark}} Lego bricks (see [[w:Interlego v Tyco Industries]])
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
{{NotMark}} for most logos. The level of originality required for copyright protection in the United Kingdom is very low.
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
In determining whether a work is protected, [[#Typographical copyright|typographical copyright]], [[#Publication right|publication rights]] and [[#Database right|database rights]] need to be considered.
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
These images are eligible for copyright protection:
</div>
* [[:en:File:EDGE magazine (logo).svg]] (uploaded as free in the US only on en.wikipedia.org): [[Commons:Deletion requests/Two British logos|British courts have ruled it eligible for copyright protection]].
* <span lang="en" dir="ltr" class="mw-content-ltr">[[:en:File:EDGE magazine (logo).svg]] (uploaded as free in the US only on en.wikipedia.org): [[Commons:Deletion requests/Two British logos|British courts have ruled it eligible for copyright protection]],<ref name=Borghi/> with the judge finding:</span>
</div><ref name=Borghi/><ref name=Uture-Edge/>
 
{{quote|1=<span lang="en" dir="ltr" class="mw-content-ltr">[The defendants] submitted that the claimant can have no copyright in its EDGE logo because it is not original over the Franklin Gothic typeface.</span> <span lang="en" dir="ltr" class="mw-content-ltr">I do not accept this submission. The stretching of the font was combined with the distinctive slash and projection on the middle bar of the "E".</span> <span lang="en" dir="ltr" class="mw-content-ltr">What is required for artistic originality is the expenditure of more than negligible or trivial effort or relevant skill in the creation of the work: see Copinger and Skone James on Copyright 16th Ed at 3-130 and Ladbroke v. William Hill [1964] 1 WLR 273 at 287.</span> <span lang="en" dir="ltr" class="mw-content-ltr">The claimant's logo is original within this test.</span>|2=<span lang="en" dir="ltr" class="mw-content-ltr">[[:en:Sonia Proudman|Mrs Justice Proudman]]</span>|3=<span lang="en" dir="ltr" class="mw-content-ltr">Future Publishing Ltd v The Edge Interactive Media Inc & Ors [2011] EWHC 1489 (Ch) at [10]</span><ref name=Future-Edge/>}}
 
<div lang="en" dir="ltr" class="mw-content-ltr">
===== Digital copies of images =====
</div>
 
Line 392 ⟶ 402:
In 2014 (updated 2015) the UK's {{wp-Intellectual Property Office (United Kingdom)|Intellectual Property Office}} issued an advice notice, which said, in part:
</div><ref name="IPO-2014/1"/>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
*According{{quote|<span tolang="en" thedir="ltr" Courtclass="mw-content-ltr">... ofaccording Justiceto ofestablished thecase Europeanlaw, Unionthe whichcourts hashave effectsaid in UK law,that copyright can only subsist in subject matter that is original in the sense that it is the author’sauthor's own ‘intellectual'intellectual creation’creation'. Given this criteriacriterion, it seems unlikely that what is merely a retouched, digitised image of an older work can be considered as ‘original’'original'. This is because there will generally be minimal scope for a creator to exercise free and creative choices if their aim is simply to make a faithful reproduction of an existing work.</span>}}
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
Line 401 ⟶ 410:
 
<div lang="en" dir="ltr" class="mw-content-ltr">
This was restated in a November 2023 Appeal Court judgement (''THJ v Sheridan'', 2023) which confirmed that no new copyright is created in making a photographic reproduction of a two-dimensional public domain artwork, and that this has been the case since 2009. According to the judgement, the previously used "skill and labour" test had been replaced by the "author’s own intellectual creation" test.<ref name="THJvSheridan"/><ref name="Grosvenor-2023"/>
==Signatures==
</div>
 
<span id="Signatures"></span>
==Podpisy==
<noinclude>{{CRT shortcut|SIG|UK}}
</noinclude><div lang="en" dir="ltr" class="mw-content-ltr">
{{NotOKNotMark}} for a typical signature. The level of originality required for copyright protection in the United Kingdom is very low, and it is easily arguable that personal signatures are entitled to copyright protection. Under United Kingdom law, a signature may be protectable as a graphic work (a type of artistic work). Artistic works are protected regardless of artistic merit. There are various sources that point in that direction, including the following:
</div>
* <span lang="en" dir="ltr" class="mw-content-ltr">The practitioners' text ''Copinger and Skone James on Copyright'' mentions, at para. 2-23, an unreported decision that a signature combined with an (apparently copyrighted) shield device can be accorded artistic copyright.</span>
 
* <span lang="en" dir="ltr" class="mw-content-ltr">Professor Charles Oppenheim of de Montfort University: "''graphic works, photographs, sculptures and collages are protected regardless of artistic merit. Your signature is an artistic work, as you always suspected''" See [http://www.ukoln.ac.uk/services/elib/papers/other/copyright/session1/ presentation of Joint Information Systems Committee (JISC)].</span>
* <span lang="en" dir="ltr" class="mw-content-ltr">Sallie Spilsbury, ''Media Law'', 2000, p. 439: ''An individual's signature may be protected under law as an artistic work. If so, the unauthorised reproduction of the signature will infringe copyright. The name itself will not be protected by copyright; it is the appearance of the signature which is protected.''</span>
* <span lang="en" dir="ltr" class="mw-content-ltr">Alan Story LLM, in [https://web.archive.org/web/20010114193500/http://webjcli.ncl.ac.uk/1998/issue5/story5.html "''Owning Diana: From People's Princess to Private Property''"] accepts it is that possible ("''though debatable''") that there may be copyright in Diana's signature as an original artistic work. This is of interest, in that Story accepts this even though he is writing from an anti-protectionist angle.</span>
* <span lang="en" dir="ltr" class="mw-content-ltr">The [https://web.archive.org/web/20060927060039/http://www.mersey-gateway.org/server.php?show=ConNarrative.29&chapterId=140 E. Chambré Hardman Archive Copyright Clinic page] states that "''Somebody’s signature is also thought of as an artistic work, rather than a literary work.''"</span>
<div lang="en" dir="ltr" class="mw-content-ltr">
Unless further legal commentary or caselaw to the contrary becomes available, the UK position is that typical personal signatures are arguably entitled to protection under local law, and generally UK signatures should be deleted under the {{pg|Commons:Project scope/Precautionary principle|precautionary principle}}. However, if the signature is extremely simple (eg a scribbled line or two), it will not be copyright even in the UK.
*The practitioners' text ''Copinger and Skone James on Copyright'' mentions, at para. 2-23, an unreported decision that a signature combined with a (apparently copyrighted) shield device can be accorded artistic copyright.
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
==Computer-generated works==
*Professor Charles Oppenheim of de Montfort University: "''graphic works, photographs, sculptures and collages are protected regardless of artistic merit. Your signature is an artistic work, as you always suspected''" See [http://www.ukoln.ac.uk/services/elib/papers/other/copyright/session1/ presentation of Joint Information Systems Committee (JISC)].
</div>
 
<div lang="en" dir="ltr" class="mw-content-ltr">
Unlike most countries, the United Kingdom provides a special limited term of copyright protection for computer-generated works of 50 years from creation, with the author being "the person by whom the arrangements necessary for the creation of the work are undertaken".<ref>[https://www.gov.uk/government/consultations/artificial-intelligence-and-intellectual-property-call-for-views/artificial-intelligence-call-for-views-copyright-and-related-rights]</ref>
*Sallie Spilsbury, ''Media Law'', 2000, p. 439: ''An individual's signature may be protected under law as an artistic work. If so, the unauthorised reproduction of the signature will infringe copyright. The name itself will not be protected by copyright; it is the appearance of the signature which is protected.''
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*Alan Story LLM, in [https://web.archive.org/web/20010114193500/http://webjcli.ncl.ac.uk/1998/issue5/story5.html "''Owning Diana: From People's Princess to Private Property''"] accepts it is that possible ("''though debatable''") that there may be copyright in Diana's signature as an original artistic work. This is of interest, in that Story accepts this even though he is writing from an anti-protectionist angle.
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*The [https://web.archive.org/web/20060927060039/http://www.mersey-gateway.org/server.php?show=ConNarrative.29&chapterId=140 E. Chambré Hardman Archive Copyright Clinic page] states that "''Somebody’s signature is also thought of as an artistic work, rather than a literary work.''"
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Unless further legal commentary or caselaw to the contrary becomes available, the UK position is that typical personal signatures are arguably entitled to protection under local law, and generally UK signatures should be deleted under the [[COM:PRP|precautionary principle]]. However, if the signature is extremely simple (eg a scribbled line or two), it will not be copyright even in the UK.
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<span id="See_also"></span>
== Zobacz też ==
 
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==CitationsPrzypisy==
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{{reflist |refs=
<ref name=Act1988>{{cite web |url=http://www.wipo.int/edocs/lexdocs/laws/en/gb/gb334en.pdf |accessdate=2018-11-11
Line 458 ⟶ 462:
|title=UK: Future v. Edge (High Court Chancery Division), 13 june 2011 |author=Maurizio Borghi |date=2 August 2011}}</ref>
<ref name=DACSfactsheet>{{cite web |url=https://www.dacs.org.uk/knowledge-base/factsheets/sculpture-and-works-of-artistic-craftsmanship-on-p.aspx
|accessdate=20192024-03-2924
|title=Factsheet: Sculpture and Works of Artistic Craftmanship on Public Display |publisher=Design and Artists Copyright Society}}</ref>
|archiveurl=https://web.archive.org/web/20210418025250/https://www.dacs.org.uk/knowledge-base/factsheets/sculpture-and-works-of-artistic-craftsmanship-on-p.aspx
|archivedate=2021-04-18}}</ref>
<ref name=Forgery1981>{{cite web |accessdate=2019-03-29 |url=http://www.legislation.gov.uk/ukpga/1981/45/contents
|title=Forgery and Counterfeiting Act 1981 |work=legislation.gov.uk}}</ref>
<ref name="IPOFuture-2014/1"Edge>{{cite web |titleaccessdate=Copyright2019-03-29 Notice|url=http: digital images, photographs and the internet //www.bailii.org/ew/cases/EWHC/Ch/2011/1489.html
|title=Future Publishing Ltd v The Edge Interactive Media Inc & Ors <nowiki>[2011]</nowiki> EWHC 1489 (Ch) |date=13 June 2011}}</ref>
|url=https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/481194/c-notice-201401.pdf
<ref name="IPO-2014/1">{{cite web |title=Copyright notice: digital images, photographs and the internet
|publisher=[[:en:Intellectual Property Office (United Kingdom)|Intellectual Property Office]] |accessdate=17 January 2019 |date=November 2015}}</ref>
|url=https://www.gov.uk/government/publications/copyright-notice-digital-images-photographs-and-the-internet
|publisher=[[:en:Intellectual Property Office (United Kingdom)|Intellectual Property Office]] |accessdate=30 January 2022 |date=4 January 2021}}</ref>
<ref name=OpenGovLic>{{cite web |url=http://www.nationalarchives.gov.uk/doc/open-government-licence/version/3/
|accessdate=2019-03-29 |title=Open Government Licence |publisher=National Archives}}</ref>
Line 485 ⟶ 493:
<ref name=UK-WIPO>{{cite web |url=http://www.wipo.int/wipolex/en/results.jsp?countries=GB&cat_id=11 |accessdate=2018-11-12
|title=United Kingdom Copyright and Related Rights (Neighboring Rights)|year=2018|publisher=WIPO: World Intellectual Property Organization}}</ref>
<ref name=Uture-Edge>{{cite web |accessdate=2019-03-29 |url=http://www.bailii.org/ew/cases/EWHC/Ch/2011/1489.html
|title=Uture Publishing v. The Edge Interactive Media |date=13 June 2011}}</ref>
}}
{{Commons:CRT disclaimer}}