Ploysri Porananond
Ploysri Porananond is Head of the Centre for Asian Tourism Research at Chiang Mai University, Thailand and Editor-in-Chief of the Asian Journal of Tourism Research. Her interest focuses on cultural tourism research, as well as tourism and development in Thailand and Southeast Asia. Her publications include “Modernity and Evolution of a Festive Tourism Tradition: The Songkran Festival in Chiang Mai, Thailand” (2008), Rethinking Asian Tourism: Culture, Encounters and Local Response (edited with Victor T. King) (2014), “Tourism and Political Agendas in the Dum Hua Procession in the Songkran Festival” (2014), “Tourism and the Transformation of Ritual Practice with Sand Pagoda in Chiang Mai, Thailand” (2015) and “Khun Tok Dinner: The Transformation of a Lanna Eating Style into a Tourist Attraction in Chiang Mai, Thailand” (2015).
Phone: +66 0892665566
Address: Centre for Asian Tourism Research
Research Admiistration Center
Chiang Mai University
239 Huay Kaew Road, Muang District, Chiang Mai, Thailand
Phone: +66 0892665566
Address: Centre for Asian Tourism Research
Research Admiistration Center
Chiang Mai University
239 Huay Kaew Road, Muang District, Chiang Mai, Thailand
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The Songkran Festival in Chiang Mai is similar to a carnival, due to the fact that its performance is politically driven. The Songkran Festival was first known to people in Bangkok through the promotion of train travel to Chiang Mai. Consequently, Songkran has become synonymous with the culture and has been promoted to the rank of a tourist attraction for Thai national tourists.
The political agenda of provincial government officials is also obvious in the invention of a procession called Dum Hua by using traditional Lanna culture. Although the political agendas behind the procession have evolved during the last fifty years since it was introduced, they have always been a part of the procession.
The Songkran Festival in Chiang Mai is similar to a carnival, due to the fact that its performance is politically driven. The Songkran Festival was first known to people in Bangkok through the promotion of train travel to Chiang Mai. Consequently, Songkran has become synonymous with the culture and has been promoted to the rank of a tourist attraction for Thai national tourists.
The political agenda of provincial government officials is also obvious in the invention of a procession called Dum Hua by using traditional Lanna culture. Although the political agendas behind the procession have evolved during the last fifty years since it was introduced, they have always been a part of the procession.